Third part of a French TV series about the creation and building of the town of Cergy-Pontoise.

Third part of a French TV series about the creation and building of the town of Cergy-Pontoise.

A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.

Emma is bringing up her son Oscar alone. Her life is divided between her work, her voluntary work as a public writer, her lover and her son. Oscar gradually sinks into melancholy, his existential questions echoing those of his mother.

Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Making of ”Quest for Fire“.

A documentary on the genesis, writing, shooting and analysis of the film "The Name of the Rose".

Unwilling to marry, Silvia poses as a maid in order to meet the man she is to marry incognito. This will allow her to study the character and behaviour of her fiancé. But the young man resorts to the same stratagem...